14 k gold fill hand pounded wave on sterling silver chain
14 K gold fill hand pounded musical notes with fresh water pearl drops
porcelain and gold wire ring
hammered gold, sterling silver and aquamarine necklace on sterling silver chain
hammered gold and silver leaves on gold ear wires
facetted chalcedony, hammered gold arches, with sterling silver chain earrings
sea glass with wrapped gold wire dangle earrings
mother of pearl, pounded gold and silver concentric circles on gold necklace
semiprecious stones, (peridot, apatite, labradorite, moonstone, or chalcedony) gold and oxidized sterling silver short chain necklaces.
porcelain pressed plant rectangle on copper chain necklace
layered koa slices, gold hammered ear wires
hammered gold with wrapped pearl earrings
small hammered chevron, striped shell and blue chalcedony on gold necklace
hammered gold and copper wrapped circles earrings
large hammered copper, gold wrapped chalcedony and labradorite earrings
large hammered gold and copper earrings
hammered gold and blue pearl earrings
hammered gold and wire wrapped quartz point necklace
hammered copper nail and hammer necklace
large faceted labradorite double hammered arches in sterling and gold necklace and double hammered gold and silver wave necklace
Two LInes
Jewelry
I want gold to feel like it came from an archaeology dig, battered and buried, locked away...treasures lost and then discovered and dusted off.
Silver, the glisten on the ocean, the ripple of moonlight, dew in the morning.
Copper, married to the poor, bearing such bendable and strong capacity, bringing light and water into our homes, grounded to earth, better with age, never lost, always reused.
Wood sharing the seasons in rings...discarded glass and fragments worn by the ocean...fine porcelain from mud shaped by our fingers and fire.
I love petroglyphs, subtle marks, simple marks with big meanings...the endless sea, the shape and motion of seeds on the wind, the curve of leaves and fruit.
I want to see the pull of the line, the stretch and the bend, like water finding the easiest route which is never ever straight, but always touching the most.
I want to feel the pounded metal with hammer in hand. The human imprint. My unique mark which closely resembles another. Or perhaps is exactly the same.
Two lines as one.